Tag Archives: music

Art is Not a Thing. It is a Way.


An Editorial by Louella Nelson

In February 2017, the New York Times cut many of its popular categories of best-seller lists—including the lists for mass market paperbacks, a bastion of the romance novel—upsetting many in the arenas of publishing and reading. “Among the lists that appear to have disappeared are the graphic novel/manga and the mass market paperback lists as well as the middle grade e-book and young adult e-book lists,” Publishers Weekly’s Calvin Reid reported on January 26.

I prefer to follow up with good news: I thought this comment by the editor and publishing manager of Romance Writers of American (RWA) based in Houston, Erin Fry, was a beacon to authors who strive so long and hard to reach a pinnacle in publishing. “Thankfully,” Fry writes, “there are a number of other ways members can achieve Honor Roll outside of the NYT list: appear on the Publishers Weekly Top Ten bestseller list or any other PW best-seller list based solely on format, genre, or region; appear in the top 50 of the USA Today bestseller list; or have sold at least 100,000 copies in a single language” (which is the category I fall into).

Fighting back, RWA National sent this open letter of objection to the Times and also posted the statement on its own website:

As a trade association representing more than 10,000 writers of romance fiction worldwide, Romance Writers of America (RWA) is deeply disappointed by the decision of the New York Times to change its bestseller criteria.

Romance authors, most of them women, have dominated the best-seller lists in mass market and e-books for years. To dismiss these authors and the millions of readers who buy their books is to ignore what “bestseller” truly means. Each year, consumers buy more than $1.3 billion worth of romance fiction. If the New York Times eliminates the mass market and e-book lists, they are proving that they are out of touch with what consumers actually buy. Further, the dismissal of two formats dominated by women can’t help but feel sexist.

RWA strongly urges the Times to reconsider its decision.


Reid doubts they will, and that’s a shame. Literally. Art–and there IS art evident in mass market fiction–is not a thing you can toss away on a whim or a concern about a bottom line. Art is the thread that binds a culture and makes it strong, vibrant.

I believe the move to cut back lists of popular fiction signifies the ongoing killing off of creative arts in favor of the flourishing of financial interests in our culture, if “cultural” we’d be when our arts dry up.

At the end of January, one blog post on a site called The Passive Voice announced a snide headline: “Panicky NYT circles the wagons around 1%-ers, throwing the rest of traditionally published authors to the wolves.” The 1%-ers are the big-name authors who hit the best-seller lists every time they launch a new hardcover. Pretty much the entire reading world knows their name. If a publisher mostly publishes 1%-ers, they’re playing it safe and not trusting that an investment in a new author will pay off. That’s been going on for a while.

Thus, new authors flock to publish their own books. However, the NYT shut another door in their faces. If the new author does everything right and sells a ton of copies, expect no recognition from the NYT: The organization dropped e-book lists. Looks like the NYT is playing to the 1% market, cutting costs, risk, the hopes of new authors, and the pleasure of millions who seek a new voice to read.

Without data to back up my claim but with life-experience guiding my opinion, I suspect that, like other major papers, the NYT suffers its share of money woes. As is so often the case when the financial picture darkens for a corporation or a country, funding and notice for the arts get cut back. For example, following the 2008 financial meltdown, the University of California Extension in Irvine, where I was teaching beginning through advanced novel-writing courses, cut all arts classes from its catalogue. They kept the computer-related courses that filled to capacity every quarter and that strategy no doubt helped the Extension program survive the financial crisis.

The ivory tower creative writing degree program at UCI only allows in about 8-10 students from all over the world, each year. So the closing of the Extension writing courses meant a good deal of Orange County and beyond went without a place to learn to write, publish, or produce. That was 11 years ago.

Even though the economy has rebounded, not much has changed at my local Extension. A quick scan of the catalogue I checked today shows business management, instructional technology, process improvement, finance, law, leadership—a host of valuable courses that can earn my neighbors some cash flow working in the businesses in Orange County. But not one course is offered in creative writing, screen writing, play- or poetry- writing, never mind singing, painting, dance, and so on.

I try to stay positive. And most of the time I can rise above that tug of disillusion that stems from chaos at the national level, mayhem in countries that offer rich culture and rare antiquities, and a community institution that delivers “university-level learning solutions by leveraging the expertise of the  campus and community” but completely ignores the need of the human spirit to renew itself in its arts (quote from UCI website).

Instead of advertising “solutions” and “leveraging,” let’s hear them yell out loud, “Creativity encouraged here!” Creativity is a friendly animal who lives quite well alongside capitalism, as successful romance writers know well. Instead of cut-backs in national lists of the books people love, let’s add lists for the new genres birthed by creative minds. Let’s open the doors of learning once again to the singing of souls through literature, music, and art.

It’s not just the number-crunchers at the New York Times or the local college or university that pluck at my positivity, but also the surging mood in Washington to do away with funding for the arts. Greed is more ubiquitous now than it used to be. Greed kills art.

The grand opera singer Beverly Sills believed, “Art is the signature of civilizations.” In this age, what are we leaving to posterity? A narrower view of what books to read? A business-only agenda? I ask this not just as a published writer but also as a college writing teacher and as a sole proprietor, a businesswoman serving the editorial and mentoring needs of best-selling and aspiring writers. What will we teach the next generation, those fresh young minds who feel a soul-deep longing to create—not just in computer science, for example, but in computer-generated art? That their dreams are not valid? That financial and engineering professions are more important?

Let’s just stop. There is another way to live, a way that arrays our many-faceted talents like a rainbow fan.

Elbert Green Hubbard was an American writer, publisher, artist, and philosopher who was born before the Civil War and unfortunately went down with the RMS Lusitania in 1915. He said, “Art is not a thing; it is a way.”

Hallelujah! Drift Down to Music Greatness

by Louella Nelson This blog reveals a little-known anecdote from my past and highlights a few of my favorite songs and troubadours. Skip this one if you don’t want to drift down the corridors of sound-magic; click urls to hear greatness; or are just too damned busy to STOP–which covers most of us. I understand. I’m doing this. You don’t have to. Thinking of music, it occurs to me that I haven’t written anything about my ex before. Among his many artistic talents, Merrill had a gift for mixing contemporary music, which, back then, was folk, rock, and acid guitar.  You know how an artist or writer needs her tools to create art? My ex had his palette and brushes, his Air Mac if you will: an awesome McIntosh sound system, a Teak reel-to-reel, a Rabco turntable. Kick my own butt for giving a lot of it away later, when I was a single mom with limited space. houseAs a family, though, we’d have Sundays. We opened all the doors and blasted the music into the valley below, where we sometimes rode in the sandy washes and switchbacks of the dry Sweetwater River Valley.  We’d let the horses loose, those Sundays, and they’d gallop through the acre-plus of avocado, pecan, and macadamia nut trees, crossing the hill in front of the old Spanish manor house we lived in, clattering across the drive, lunging up the west side of the property, and back around.  While Merrill cooked breakfast, a Sunday tradition I respect in a man, Stacee and I watched those horses getting in touch with their wild, and the music filled us…Hendrix, the Eagles, the Beatles, Zeppelin, Joplin, Croce, Dylan, Moody Blues, Baez, Pink Floyd, Simon’s “Kodachrome,” Lightfoot’s “Sundown”…. I gotta stop because there are too many legends to list. During my time on Earth, I’ve loved the torch songs of several great female singers, including— Patsy Cline (“Crazy” and “I Fall to Pieces”) singing the immortal “Crazy”: http://www.youtube.com/watch?v=na5Y9FxR0lg Miss Brenda Lee’s early rock presence in “I’m Sorry”: http://www.youtube.com/watch?v=iuqrd_Hau4c Joan Baez’s “Sweet Sir Galahad”: http://www.youtube.com/watch?v=ujfqB1CD6VA

Joan Baez
Joan Baez
KD Lang

KD Lang

And OMG—truly, readers…KD Lang.  In L.A. one year, I heard KD’s concert version of “Down to My Last Cigarette.” None of the studio recordings compare, and still, in my memory, it’s right up there with my favorite arias.  One of the most moving vocal artists of our time, KD Lang sings Leonard Cohen’s “Hallelujah” and gives his own wonderful, moody concert version a run for its money: http://www.youtube.com/watch?v=7oZN2eTgvVs Recommendation to renew the spirit: Close your eyes and listen.  If you’re in a nostalgic, music-craving mood, drift down…. My favorite music moves me deeply. The lyrics—the story—they get me; but the impact of the song’s message can’t be separated from the body-slam of emotional resonance, the tone and texture and depth of the singer’s vocal art, the rhythm, and the notes themselves. Give me full-body-contact with my music. How I play a CD at home hasn’t changed. When my roommate is gone and it’s the middle of the day, I play it on full crank, just the way we played Led Zeppelin on Sunday mornings in the manor house in Bonita. Oh, and, yeah. The guys made an impression, too. Andrea Bocelli’s “Nessen Dorma” from Central Park on a cold, rainy night: http://www.youtube.com/watch?v=iATcerBZvGk  I have to add, hearing this number standing 30 feet away from him in the darkened Honda Center in June 2013, with Stacee, was even more spell-binding. Compare Bocelli’s genius to the same piece by Pavarotti; I owe the late-tenor a debt for making me fall in love with this aria. That he owned and loved Arabian horses only adds, for me, richness to the intrigue of his artistic spirit: http://www.youtube.com/watch?v=uKAW1YWVihc And–oh, hell, now that we’re on the men singers, I gotta add this favorite. Willy Nelson and the late Ray Charles (remember the watershed album I Can’t Stop Loving You?) make us feel something old and reverent and sad in “Seven Spanish Angels”: http://www.youtube.com/watch?v=x8A9Y1Dq_cQ I can’t get enough; the arrangement is brilliant.

Willie Nelson, Ray Charles
A still from the Sony music video featuring Willie Nelson and Ray Charles

We haven’t even gotten into the superb guitarists.  Ry Cooder gives us his gritty bluesy ironic “How Can A Poor Man Stand Such Times And Live”: http://www.youtube.com/watch?v=6efQ_GyQW3o I defy you to remain unmoved. Leo Kottke! Compare his late eighties http://www.youtube.com/watch?v=PVMYfwrorp4 when I saw him in San Diego on a university stage, to the current http://www.youtube.com/watch?v=Q_nsgBmgqzQ Here is the complexity of the gifted classicist I also saw in a concert in Southern California, before he passed away at age 94, the late Andrés Segovia: http://www.youtube.com/watch?v=vx9fPeaD_Ns Also passed, far too young—and missed—is the rarely-mentioned song-man B.W. Stevenson: “My Maria” http://www.youtube.com/watch?v=A9iJ1sUDF6g Holy cow, shut me up and tell me to go write my book. I am drenched in memories and sound. I have not taken a music appreciation class (yet), and studying the piano for a few weeks in fifth grade back in New Hampshire, before the family moved to yet another town or state, doesn’t qualify me to wax eloquent on composers, lyricists, singers, musical instruments, or anything in the music category. But like all great art, great music does not require a degree for enjoyment, especially when it moves the soul, makes the heart thud, and carries one away to mystical paradise, which is pretty much how I react to the performances linked here. It just requires you to stop and listen. These links and memories are brought to you via the miracle of YouTube, with my gratitude. Special thanks to the copyright holders of this art for keeping it available to the public; to the photographers, videographers, support crews, and producers. My original link to a live performance of Jimi Hendrix’ “Star Spangled Banner” was blocked due to notices to YouTube of copyright infringement. However, I was able to find this performance at the iconic Woodstock Festival of 1969. Enjoy it for as long as it remains available: http://www.youtube.com/watch?v=wt3cYpFLJiM It’s appropriate I close with a passionate paean to the word that launched this blog, “Hallelujah,” from the scribe himself in Montreal in 2008—though the London concert was also very fine: http://www.youtube.com/watch?NR=1&feature=endscreen&v=2FpwjQLZTTs Support your artist—buy music! Feel free to comment or share links to your favorites. Apologies for the commercial ads that keep you from greatness for seconds four, three, two….